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Jonathan Holloway Biography and CV (Scroll down for full CV or return to Homepage. ) On Death in Venice: "Jonathan Holloway: solid art extract" - The Sunday Times Magazine. On Get Carter:"Holloway has developed a very idiosyncratic theatrical language which is very effective as the long applause at the end showed. It is gritty, violent and bleak, and set in a world that most of us will (thankfully) never know, and yet the presentation distances us just enough to reflect on what it has to say about people." - The British Theatre Guide
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In 2011 Jonathan conceived, wrote and directed Red Shift's INVISIBLE SHOW II for the Latitude and Edinburgh Festivals in co-production with Pleasance Theatre ("Five stars are not enough for this polished, multifaceted, flawless, 24-carat rose diamond of a show" - WhatsOnStage.com "This little show sings with potential" - The Guardian). The past year has also seen broadcast of Jonathan's wry comedy OLD SPIES (BBC Radio 4) imagining former GCHQ employees on the threshold of dementia; his pugilistic adapatation of WUTHERING HEIGHTS (review) (BBC Radio 3) in which robust language caused press comment across the globe; revival of his adaptation of GET CARTER (review) by SP Productions for performance at London's Courtyard Theatre and at the Brighton and Edinburgh Festivals; revival of his English language version of the Camoletti (of Boeing Boeing fame) farce CHANGING ROOMS ("the English version by Jonathan Holloway is cannily written and full of snappy one-liners" - Western Mail review) mounted by Ian Dickens Productions; directing the NJ Crisp thriller DANGEROUS OBSESSION at the Frinton Summer Festival Theatre.
Summary: Jonathan Holloway's work as a director, writer and teacher has been seen and heard all over the world. He has directed 70+ professional theatre events ranging from touring circus to pocket musicals to landmark reinventions of the classics, written over 50 professionally produced plays and collaborated with some of the most important writers, designers and composers in British theatre. His work as a writer is frequently produced by other directors and has been translated into Spanish and Cantonese.
As a Director: Jonathan is committed to making interdisciplinary work that marries intellectual rigor, theatrical invention and entertainment. He has always worked at the innovative end of UK practice and his dynamic theatre-making is best summed up in four of Red Shift's keynote productions; a MORT D'ARTHUR which employed the first thorough-going integration of Capoeira (accompanied by Afro Brazilian music) seen on the professional stage in this country; a new translation by Neil Bartlett of Moliere's LE MISANTHROPE which employed the archaic Alexandrine verse form in a sumptuous version that delighted audiences here and abroad; Greg Cullen's original drama FRIDA AND DIEGO which drew on imagery from Kahlo's pictures to explore her tempestuous life; a modern brutalist rendition of the First Quarto HAMLET played in Wayne Hemingway's Red or Dead clothes against a thunderous contemporary rock score. Jonathan founded Red Shift in 1982. Under his leadership it grew from a shoestring operation to become an Arts Council RFO and a linchpin of UK national touring provision. He has directed all but one of the company's nearly sixty shows. Freelance directing has included THE PLAYBOY OF THE WESTERN WORLD in Ireland, LE MISANTHROPE in Boston USA and co-directing Gifford's Circus. His work has toured to hundreds of theatres in the British Isles and traveled to North America, South America, the Near and Far East.
As a Writer: Scripts for Red Shift include THE DOUBLE, IN THE IMAGE OF THE BEAST (Edinburgh Fringe First, 1987), THE HAMMER (also recorded for BBC Radio 3), DEATH IN VENICE, CRIME AND PUNISHMENT (also produced in Chile), LES MISERABLES (pub. Samuel French, recently in rep in Hong Kong), THE ASPERN PAPERS, NOSFERATU THE VISITOR, NICHOLAS NICKLEBY, THE MAN WHO WAS THURSDAY, the first stage versions of MORT D'ARTHUR, THE THIRD MAN, GET CARTER [review] [review] (recently revived in Sydney, Australia) and VERTIGO. Jonathan's freelance theatre writing includes DARKNESS FALLS (pub. Samuel French) for the Palace Theatre Watford, BECAUSE IT'S THERE (2000), ANGELS AMONG THE TREES (2004) and A SENSIBLE WORLD (2005), all for Nottingham Playhouse. His writing for BBC Radio Drama includes fifteen episodes of the original daily serial POSTCARDS, a five episode series celebrating the cult TV show THE MAN FROM UNCLE, original ghosts stories and hard-boiled American-set thrillers, adaptations include stories by George Eliot, Willa Cather, Walter de la Mare, Heinrich Boll, Leo Tolstoy, Vita Sackville-West and Charlotte Bronte. The unusual range of his work in broadcasting embraces dramatisations of the entirety of C P Snow's eleven novel cycle STRANGERS AND BROTHERS, Christiaan Barnard's first successful human heart transplant, Evelyn Waugh's THE LOVED ONE, Andrew Motion's THE INVENTION OF DR CAKE, Olivia Manning's LEVANT TRILOGY, Goethe's FAUST and Malory's MORT d'ARTHUR. His version of VERTIGO [review] was recently revived in a major Nottingham Playhouse production.
Teaching, Broadcasting and Beyond.....: He has travelled to Chile to lead EU sponsored workshops, was an elected member of the Board of the Edinburgh Festival Fringe and the Advisory Panel of the National Campaign for the Arts, is a Fellow of the Royal Society of Arts and in 2005 he was made an Honorary Fellow of St Mary's University College, London. He has taught at Middlesex University and Royal Holloway University of London. Jonathan is regularly invited to talk about his work in universities and colleges, and has also travelled to America, S America and the Far East to do so. Broadcasting includes guest appearances on BBC Radio 4's A Good Read and sharing the bill with artist Grayson Perry on a feature about the Arthur Mee Children's Encyclopaedia.
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Full CV for Jonathan Holloway Writing (commissioned, produced and published original plays and adaptations): 2011: THE INVISIBLE SHOW II Latitude Festival/Edinburgh Fringe WUTHERING HEIGHTS BBC Radio 3 THE SHROUDING OF SHERLOCK HOLMES Connaught Productions/Frinton Summer Theatre THE OLD SPIES BBC Radio 4 GET CARTER Brighton and Edinburgh Fringes and Courtyard London, THE KANE CONSPIRACY BBC Radio 4, 2010 Education: GUEST DIRECTOR e15 Acting School COURSE TUTOR MA THEATRE St Mary's University College 2009 LEADER OF MA/MFA THEATRE DIRECTION PROGRAMME and LEADER WAYS OF DIRECTING BA UNIT Royal Holloway College, University of London 2008-2009 VISITING LECTURER BA UNITS WRITING FOR PERFORMANCE and THEATRE DIRECTION Middlesex University 2007 HEAD OF PERFORMING ARTS Middlesex University 2007 - 2008 VISITNG LECTURER UNIVERISITIES AND COLLEGES OF ART 1990 - Wimbledon, Central, Bristol, Kent, Westminster, etc HEAD OF SECTION, PERFORMING ARTS Brooklands County College, Weybridge, Surrey 1979 - 1989 SUPPLY TEACHER AND YOUTH SESSION WORKER Various London Boroughs 1977-1979 Other: Lighting Designer 1976-Present, clients inc Royal Court Theatre, Royal Court Young Peoples Theatre, Leeds Playhouse, National Student Drama Festival, Free Form Arts Trust, Chat's Palace, Cochrane Theatre, Bloomsbury Theatre, Red Shift Theatre Company, The Gate Theatre. Film and Video Maker working with disadvantaged young people in urban and secure settings. |
Direction (Theatre, Broadcasting and Higher Education): 2011: THE INVISIBLE SHOW II Red Shift, Latitude and Edinburgh DANGEROUS OBSESSION Connaught Productions at Frinton Summer Theatre NOSFERATU THE
VISITOR E15
Acting School, 2010
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"Jonathan Holloway's brilliant production makes such sense this brilliant tribute to a great novelist who was also a mighty campaigner for social compassion." - The Scotsman "taut and wonderfully atmospheric" - The Guardian. Critic's Choice - The Independent. Critic's Choice - Time Out. "Visual genius and superb staging... a classic triumph, a superbly adapted masterpiece and a must-see theatre production" - BBC Radio4 "Jonathan Holloway's adaptation glistened from the off and I was sorry when it ended" - The Guardian. "Bliss *****" - The Financial Times. "a splendid production outstanding" - The Daily Telegraph. "Holloway keeps it moving at such a lick that the emotional outlines emerge stark and clear, and as graphic as a streak of blood on a breezeblock wall." - The Scotsman |
Jonathan works alongside Acting General Manager Jane Hellings who is regarded as one of the country's leading cultural industries and third sector consultants and guides Red Shift's own consultancy provision.