THE
FALL OF MAN
The
2009 Edinburgh Fringe saw the company's much anticipated return
with a new show and a new mode of production.
click
here for press release and photos
click
here for reviews
The
Fall of Man
played to
full houses throughout most of the 3 1/2 weeks of the Edinburgh
Fringe and won praise for the company following its decision
to move away from generic touring productions to more site sensitive
work tailored to locations, contexts and the preoccupations of
its members. This Edinburgh outing has confirmed the company's
already established position at the forefront of UK practice
and its desire to find collaborators to help make the theatre
of the future.
"It
is not the way that the tale pans out to its eventual and inevitable
sordid end that matters, so much as the way the story is told.
Working with only a bed, three simple lights and Sarah Llewellyn's
insistent soundscape, the production creates an intense intimacy
that implicates its audience; you feel slightly soiled watching
it. It also boasts two assured and brave performances, from co-director
Graeme Rose as Peter and Stephanie Day as the nanny". -
Lyn Gardner, The
Guardian
The Scotsman:
* * * * (featured Hot Show) "they have created
another provocative piece - on the surface a small story of a
briefly lived-out relationship, but more fundamentally, a tribute
to the kind of fleeting passions that make life worth living."
Three Weeks: * * * *
"A
bold, impressively performed production that endows a difficult
literary work with graphic contemporary resonance." One4review.com: *
* * * "In
the intimate space, barely lit by small domestic light bulbs,
good performances are drawn from both performers in this strong
hard hitting performance" Metro:
* * * *
"Casting
the audience as culpable voyeurs by having us cluster round their
bed, this is a branding iron of sex and guilt." EdinburghGuide.com: *
* * * "This
is a superbly inventive and beautifully adapted piece that grips
the audience in a vice and refuses to let them escape."
The List: * * *,
Fringe Review.co.uk: *
* *, Broadway
Baby: * * *, What's on Stage.com: * * *,
British Theatre Guide: *
* *, Fest/The
Skinny: * * *, Edinburgh Insider: *
* * |
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Welcome
to Red Shift Theatre Company
"Red
Shift's cinematic style is
thrilling, refreshingly vigorous and up-to-the-minute" -
Time Out
Click
here to enter Website
Red Shift was founded in 1982 by Director
Jonathan
Holloway (click for biog)
and
Designer Charlotte Humpston. The company has toured all over
the world, played in literally hundreds of UK theatres from modest
studios to lyric houses and won numerous awards. Over... 3000
performances given, 250000 tickets sold, 1000 get-ins/get-outs
completed, 50000 miles driven, 35000 miles flown. "Red Shift does the shows people want to
see" - Calouste Gulbenkian Foundation.
Red Shift is now creating
it's new project for
The
Latitude Festival 2010
The
Invisible Show
a
groundbreaking intense drama played out among crowds in squares,
restaurants and open spaces
Wherever
a crowd gathers numerous dramas will be played out within it.
An estranged father and son duo meet for the first time in years.
A couple plan the detail of their painful separation. Lovers
squirm, sexed up and desperate for privacy. A mother diagnosed
with serious illness worries into her phone, concerned for her
children. Except for the smallest tell-tales - a raised voice,
a sudden violent gesture - the crowd is ignorant of these eddies
of emotion. Realising these scenarios is the heart of our show,
but of course it is virtually invisible
unless you've bought
a ticket, been given the headphones, and then suddenly the private
soundscape reveals itself and the dramas become visible, and
you can move from one to the next simply by flipping channel
and changing your point of vantage.
While THE FALL OF MAN continues in repertoire,
Red Shift will be developing THE INVISIBLE SHOW. We have already
opened discussions with prominent producing venues keen to have
this 'event' in their foyers, adjacent piazzas and open landscapes
in London, Nottingham, Suffolk and Germany.
This
project is a collaboration between Red Shift Theatre Company and Central School
of Speech and Drama's Centre for Excellence in TheatreTraining. |
Following
its success,
The Fall of
Man will be
touring to Festivals in June 2010 . The show requires an intimate
claustrophobic situation, needs only minimal technical support
and because of its length can be played twice in an evening.
Contact us on 07958 617837 for further details.
A
collaboration between Jonathan Holloway (founder: Red Shift), Graeme Rose (co-founder:
Stan's Cafe) and the Company using original dialogue and excerpts
from John Milton's Paradise Lost
The
Story: Sited
in the bed-sitting room of Slovenian child minder Veronica. Visited
in the early hours by Peter - father of the children she minds
- we watch their adulterous relationship fall apart lit only
by a bedside candle. An intense theatrical experience played
with the audience huddled around their single bed. Unforgiving
in its explicit physicality and emotional depth. Skirmishing
across issues of the actor-audience relationship. Like watching
surgery without anaesthetic. High tragedy in a tiny domestic
environment. Huge words. Throwaway remarks. Candid love-making
eclipsed by mistrust. Red Shift welcomed Graeme Rose back to the company for this
ambitious risk-taking event: Graeme is a theatre-maker committed
to developing innovative, collaborative work. A co-founder of
companies Glory what Glory, Stan's Cafe and The Resurrectionists,
he is also associate artist with Bodies in Flight, and has worked
repeatedly with the likes of Insomniac Prods, Talking Birds and
Red Shift.
Become
a Fan of Red Shift
Theatre Company
on Facebook.
Jonathan
Holloway is also on Facebook & twitter (JHollowayLondon)
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The
Red Shift Back Catalogue |
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Red
Shift has been producing new plays, adaptations and classics
for 27 years. Much of this back catalogue is available for companies
and producers, professional and amateur. Several scripts are
regularly produced in the UK, America and Australia. Please feel
free to go to the History section of the website and, if you
are interested in discussing new opportunities for any of the
work, then please do get in touch.
Red
Shift History |
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|
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Red
Shift's Jonathan Holloway is a frequent contributor to BBC Radio
3 & 4, the world's most prolific and popular venues for new
drama |
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Wuthering
Heights
A
radical reinterpretation of this great story in which Holloway
celebrates Cathy's obssessive all-consuming passion as a prime
example of the extremities that make life worth living.
For
broadcast in 2011 |
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New Play...
A
new commision exploring the nail-biting build up to the 1942
Oscars during which the FBI tried to acquire and destroy every
existing print of Citizen Kane.
For
broadcast late 2010 |
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ALL
PASSION SPENT
Adaptation
of the 1931 novel by Vita Sackville-West. An aged widow defies
her children to embark on an independent life and a peculiar
relationship with an admirer from long ago. Starring Honor Blackman.
Broadcast in 5 eps, 19 - 23 Jan 2009. |
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REP
Actor
George Friendly has just started work in one of Britain's last
surviving seaside repertory theatres. His first part is in Clubfoot
the Avenger, and he thinks he knows how the rest of the summer
is going to go. Cast inc Jay Villiers, Lucy Liemann, Michael
Fenton Stevens. Broadcast 17 Aug 2009. |
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THE QUEST
reimagining
the Grail Quest. With Julian Rhind-Tutt (Green Wing) and Mark
Gatiss (League of Gentlemen). "Jonathan Holloways
Arthurian world is about as far away from the familiar one as
was his version of Faust in this same slot not long ago. In other
words, he deconstructs, reshuffles, updates and astonishes, and
all to make us see the heart of the story more clearly. It works
too. Julian Rhind-Tutt, again, plays the lead with Mark Gatiss
as Merlin. " - Gillian Reynolds, The Daily Telegraph.
Broadcast August 2009 |
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The Railway
Siding Holloway's
moody and moving ghost story set on the overnight train from
Fishguard to London, with Sam Dale, Lydia Leonard, Ewan Hooper
and Mark Lewis. Broadcast 12/11/2009
Critic's
Choice in Time Out, The Observer and The Telegraph |
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A
Night with Johnny Stompanato
Hard-boiled
Hollywood drama based on the true story of the stabbing of superstar
Lana Turner's boyfriend Johnny Stampanato by her daughter Cheryl.
Broadcast
13/11/2009 |
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